That’s about it. The total of my stitching on the weekend. One lonely harpsichord quilt block. I was so wiped out from the workload last week that even stitching seemed like too much work. I never say that! But that’s how … Continue reading
So much for me not getting distracted this week. A third variety of Inklingo New York Beauty blocks was released yesterday. When I saw those super skinny spiky points, I was lost. Absolutely and totally lost. Super spiky points and … Continue reading
Another project that got worked on over the past weekend was the ’30s Drunkard’s Path quilt. Eleven more blocks done. Now the numbers are 386 done, 446 left to make. Even typing that makes me shake my head, but I … Continue reading
Some pink had to be added to the NYB fabrics I’m working with. First a NYB Collection 1 block with a little pink. I think this one will end up in the Tiffany Lamp quilt or … well, see below. … Continue reading
First, the small. Pink and green log cabin blocks that finish at 5″, made with the .50″ Log Cabin collection. There are 12 done and enough printed for another 12 or 16, I think – it’s been so long since I’ve worked on these that I don’t quite remember. Some are hand pieced, some machine pieced. I’m thinking this may be the perfect stitching for out on the roof garden this summer and I’ll get this little quilt finished. This one is destined to be a wall hanging and one I know I’ll love as many of my favourite shabby chic fabrics are in along with some pink and green batiks.
The tiny. Tiny 2″ Drunkard’s Trail blocks made with the 2″ Drunkard’s Trail Inklingo collection. Four blocks are made and joined and three more have been added. I only need to make 9 more of these little blocks and join them to make the quilt I’ve got planned. Another one that just might be the perfect thing for roof garden stitching. I realized when I got that project box back out just how many shapes for it I had printed on fabric. I’ve got enough to make at least 4 or 5 small quilts. Perhaps one long thin table runner will be made once I make the 8″ x 10″ quilt I have planned. That will only take another 13 little blocks and should be something I can do quickly.
Both those projects came back to somewhere near the top of the list when I excavated my sewing table a couple of weeks ago. And both have stayed out to be worked on mostly because I know I can complete the two small quilts relatively quickly. So they are going to be worked on soon. I think it will give me a feeling of accomplishment to get a few small quilts done quickly. That sewing table excavation threw me a bit when I realized just how many projects I’ve got on the go. Some finishes are in order … and soon.
That said, I started working on the red and white Feathered Star/Sunflower quilt border again last night. I guess I just needed that break from it because now I can see that there really isn’t that much left to do. Perhaps 2 weeks of stitching or maybe 3 (because we all know I get distracted and want to play with other things) and I should have that top finished.
This is one of Baxter’s favourite poses.
This is the latest one I finished. It definitely goes in the Monet set of blocks. This has three batiks in it as well as the metallic fabrics. I love the metallics but they are a bit thicker than normal quilting cotton and definitely thicker than a batik. The batiks in these blocks will help to cut down on the weight of the quilt, whatever size it ends up to be.
I’m amazed that 13 of these blocks are already finished. I had always wanted to make a New York Beauty quilt, but paper piecing? Not for me, too much machine work. Trace the templates? No, nowhere near as accurate and thin a line as I’d want. But being able to print the templates on my fabric? I was in! In seconds! That’s the beauty of Inklingo – printing on fabric and getting perfect cutting lines, perfect stitching lines and perfect matching points. It makes even the sharpest of points easy to stitch whether by machine or by hand.
Seams graded on the latest block and it pressed beautifully. Of course the batiks help. It is a bit more of an effort to get the blocks that have all metallics in them to press to their best advantage but it’s worth the effort as I love the effect they give.
I think I’ll make two more of these blocks and then start playing with setting ideas. I have a few ideas so the temporary design wall may be put up within the next few days so I can play. Clearly I’m making a series of these quilts as I have lots of blocks still to stitch but I don’t want to make these large quilts. I’d rather see them as colour-saturated small pieces to hang on a wall.
Still no flowers on the roof garden, but Baxter is on patrol on the windowsill. Mostly at night, though. He clearly seems something out there that we don’t see. He’s not as interested in watching out the window during the day as he is at night.
Mr. Q.O. captioned this one, “Don’t try this yoga pose without an attendant.” We call this one Baxter’s pretzel pose.
Yes, I know the saying is six of one, half a dozen of another but only five of the little Drunkard’s Path units were finished so …
Yesterday there was a question about the matching/registration points on the 2″ Drunkard’s Path blocks. As a picture tells the story much better than words could, I took this picture of the back of two pieces showing just how many matching points there are. You can really see them if you click on the photo to enlarge it. Those matching points are the secret to perfect curved piecing. Pin, stitch to pin, move pin, stitch to pin and so on. And the curves are perfect every time!
The half a dozen?
Half a dozen of the red and white Texas stars. Remember them? Last time I showed this project, an entire row wasn’t yet done. Since then it has grown to three complete rows (I’m joining them as I go) and with these six and a couple more I’ll soon have the fourth row done and attached.
It presses beautifully. I realized as I pressed the six that I haven’t been grading the seams on this one as I went so some time will be spent on the weekend doing just that. I don’t want to take any chances on the deep red shadowing through the white on this one.
This is our long Victoria Day weekend and the weather forecast couldn’t be better. Hot and sunny. Who could ask for more on the first long weekend of the season?
Baxter on “his” quilt. He loves to sit up there in the evening.
A few pieces were taken out of the big book box and another Monet block made. Right now I’m not sure which is my favourite (if one is at all) – the Tiffany Lamp blocks or these softer Monet blocks.
I finger press as I stitch, which makes the final pressing very quick.
Now I’ve made one of each of the New York Beauty 1 and 2 collections for the Monet quilt. I’m not sure how many blocks will be made for this quilt, but know that it’s going to be fun playing with the setting. That said, now that I look at these two side by side, I think this newest one may be put in the Tiffany Lamp quilt pile. It may not be soft enough for the Monet quilt.
Tuesday was another fabulous day here, with wonderfully warm temperatures. We went for a walk but, of course, forgot the camera. The shops have their planters out and there are some pretty arrangements to be seen. If it’s not raining today, we’ll try again.
Baxter still has his particularly unique way of drinking. It’s hard work. After he’s had a drink, he needs to rest. You can tell that the fur on one side of his face is pretty much soaking wet in this shot.
Block 10? It doesn’t seem as though I’ve made anywhere near that many! Ten done for the Tiffany Lamp quilt and one for the Monet quilt. I’m going to try to lay them all out on the floor — maybe when Baxter is sleeping. Otherwise it might be a nightmare! A series of these quilts is definitely in my future.
The back after grading the seams and pressing. I’m still thrilled with the Rowenta travel iron. It presses well and heats up quickly. The biggest bonus is it’s so lightweight and easy on the hands.
And yes, this is another quilt in a box. In the big book box. Not all the pieces are printed yet, although there are quite a few ready to cut and more sheets of fabric ready to print. This time the box also contains all the fabrics I’ve picked out for the Monet and Tiffany Lamp quilts. Yesterday I finished cutting the remaining shapes for the ’30s Drunkard’s Path. I need to get a fair bit of stitching done so those pieces will fit in that book box.
Summer is here. This weekend is the Victoria Day long weekend, the traditional planting time here and the weekend often thought of as the first long weekend of the summer. The gardeners were seen on the roof garden yesterday, the weather is glorious and one sure sign it’s summer is that the lounge chairs have shown up out on the roof garden. We’ve turned the heat off, the windows are open and it’s wonderful!
Baxter lounging about. Mr. Q.O. captioned it, “Are you perchance going to the kitchen?”
Almost all the shapes for the ’30s Drunkard’s Path blocks are cut now. Doesn’t this look inviting? I love having everything for a quilt so well organized. Now, when I want to stitch some of these little shapes, I just need to pick up the book box and everything I need is there. Well, not the thread – but in this case I’m using one colour, an heirloom cream thread, and it’s in the end table drawer just waiting. I have to stitch a few more of the blocks to make room in the book box for the remaining shapes.
All the shapes for the red and white Texas Star quilt are cut and waiting in this box. In fact, everything’s in the box. The thread is there. The top, in the stage it is now, is in there. And all the pieces necessary to complete it.
The Winding Ways blocks I’d starting making with the hand-dyed fabrics reappeared. Everything that’s necessary for the rest of them is printed and in a box as well.
A fair bit of time was spent on the weekend trying to organize my stitching. After I excavated – cleaned off – partially cleaned off the table where my sewing machine is, which had become the catchall area, I found a lot of orphan blocks and projects in one stage or another including a few forgotten projects. Then I went through the process of sorting everything into its appropriate box and am now much more organized than I have been for the past few months.
As part of that sorting process, I also made use of a large cardboard box into which went a number of projects and orphan blocks. Some of the projects have enough blocks done to turn into small quilts. Some of the orphan blocks may get turned into stitching books. But I am going to try to make a habit of fishing out one set of blocks once a month and doing something with them.
I’m always surprised at how disorganized my stitching area can get. When I was working at an office, I never shut my office door at night until my desk was clear. It seems the creative process has brought out a whole different side of me.
I know what happens – a new idea comes into my mind and I have to start it immediately. Part of that means finding fabrics I want to play with, but instead of putting them back I seem to toss them on to the sewing table and forget about them until I either am looking for them again or the stitching table hits critical mass and I have to go through the organizing process again.
Every time I do this I swear I’m going to stay better organized. And every time the same thing happens again. And it will happen again and again. Just seems to be part of the creative process for me. But oh, how I wish I could keep that area better organized and actually be able to use the sewing machine when I want to instead of having to go through the excavation process!
Baxter likes to keep his eye on what’s drying on the clotheshorse when I wash fabric by hand.
Quilt Obsession 